CLASSICAL CHESS THEORY

Updated: November 2007  

CCT VI - THE CENTER

The center, to which this chapter is devoted, was at the beginning of the last century, at the heart of discussions between "Classics" and "Hypermoderns".




CCT VI-A - Pieces activity
and «Control»


1o) The notion of «control» :

Although respecting in this course rather scrupulously the traditional thought, expressed by Tarrasch and Steinitz, we move away from these Great Masters on technical points where the definitions of which they make use are either inadequately precise or in contradiction with the present use. It is in particular what occurs for the basic concept of «control».

  • Control :
  • We say that a square is «Controlled» by a piece (pawn or chessman) if this one iis able to reach this one in one move and to take an adversary piece, supposing that such a piece occupies this square.

    For a chessman we can simplify this formulation by saying that it controls a square provided that it can go there in only one move; on the other hand it is advisable to pay attention to the fact that a pawn does not control the square located directy before it, but the two side squares; precisely both contiguous squares located on the following rank (in the sens of its moving), like the latter one, just on the right and on the left of this one. See at this subject: (CCT III - Moving pawns, §B)

    2o) The «initial position» or «start position» :

    In way of introduction, we take now an interest in the influence to «Have to play First» from the point of view of «controlled» squares for each camp. We start from the initial position, represented by the following diagram

    DIAG 1 : Initial Position:
    Squares occupied and squares
    controlled by each camp


          Initial Position: Squares
        occupied and squares
        controlled by each camp   


    3o) Initial Control of pieces :

    In this starting position, a good number of occupied squares moreover are «controlled» by friend pieces. But, in addition to occupied squares, each camp only «controls» 8 squares. White controls the 3th rank, whereas Black control the 6th rank.

    How does each piece intervene in this control? The answer is simple for the pawns:

  • Pawn Control :
  • Each pawn, not ready to be promoted (i.e. on the fist rank of the opponent's camp), controls 2 squares , excepted if it is situated near the edge of the board (a and h- files), at which case it controls only 1 square. This way the e2-pawn controls both squares d3 and f3, while the h2-pawns controls only the g3-square.

  • Initial Control of chessmen :
  • In the start position chessmen are «uncaged» (using the Tarrasch's favourite word) and only Knights are able to express themselves.

    TAB 1 : Chessmen Activity in the starting position :
    Controlled squares other than occupied ones)


    CHESSMAN Number of con-
    trolled squares
    Queen's Rook 0
    Queen's Knight 2
    Queen's Bishop 0
    Queen 0
    King 0
    King's Bishop 0
    King's Knight 2
    King's Rook 0

    4o) Influence of having «to play in Fist» :

    As soon as White, using his right «to play in Fist», plays his first move a «unbalance» takes place on the chessboard. For illustrating this fact let us consider the most classical beginning, the «King's Pawwn Opening» :

    DIAG 2 : Position after: 1.e4 :
    Squares occupied and squares
    controlled by each camp


               Position after: 1.e4 :
        Squares occupied and squares 
        controlled by each camp   


  • Control of chessmen after: 1.e4
  • :


    For methodological reasons we continue to take into account, from the point of view of «control», by a camp, only the squares nonoccupied by this one. While Black continues to «control» only 8 squares, White controls now 16 squares,

    There is no change from the point of view of pawns, excepted that now the e-pawn controls the squares d5 and f5, instead of squares d3 and f3.

    But this modest move of pawn has a decisive influence concerning pieces «activity» and more precisely the activity of each given «Chessman»; in other words, the number of squares controlled by this one. It is what express the following table:


    TAB 2 : Activity of chessmen after: 1.e4 :
    Controlled squares other than occupied ones)


    CHESSMAN Number of con-
    trolled squares
    Queen's Rook 0
    Queen's Knight 2
    Queen's Bishop 0
    Queen 4
    King 1
    King's Bishop 5
    King's Knight 3
    King's Rook 0




    CCT VI-B - The four
    central squares


    1o) The «Center» (Définition and role) :

    The notion of «center» is a fundamental concept of the chess game, whose importance, well known from long date, was never put in question, even if the perception of the role allotted to it has known many inflections in the course of time; as we besides will see it.

    DIAG 3 : The center: d4, e4, d5, e5
    (Four squares constituting the center)


                   The center: d4, e4, d5, e5 
        (Four squares constituting the center)   


  • The center
  • :
    is constituted of the 4 squares d4, e4, d5, e5. This squares are said «central» ones. They squares may be characterised as being squares furthest away from the «edge» of the chessboard. Precisely: the «distance» between the center and the edge of the board is of 3 squares (in fact this distance corresponds to the minimal number of moves needed by a King to go from one to another.

    2o) Central Pawns and Perfect center :

  • Central Pawns
  • :
    We name «central pawns» the twice pawns d and e. At the beginning of a game, each camp has to his dispose two central pawns.

  • Perfect center:
  • it is that which each camp obtains while placing his two central pawns on the central squares. Thus, in the position of the following diagram (DIAG 4) White has a «perfect center».

    3o) Notion of «perfect» position :

    The concept of «perfect» position is typical of the classical vision and, in this respect, is rather out-of-date; they are positions, resulting from the opening, where one of both camps (for example White) developed as well as possible, preoccupying in particular to occupy the «center», while the adversary (thus Black) answered passively and neglected the «center».

    Here a beginning, leading to a White position which can, according to classical's criteria, be named «perfect»:

  • King's Pawn game :

  • (White perfect position)


    1.e4 b6!?
    2.d4 a5?!
    3.Nf3 g6?
    4.Nc3 h5?
    5.Bc4 Bg7
    6.Be3 Nh6!?

    Let us note here the blunder: 6...Nf6?? 7.Ng5! + -

    7.Qd2 Nc6
    8.0-0 Bb7
    9.Rad1 a4?!
    10.Rfe1 ± ...

    DIAG 4 : White perfect position
    (Position reached after: 10.Rfe1 ±)


                   White perfect position
        (Position reached after: 10.Rfe1 ±)   


    We may recognize that this position is a «perfect» one, because at the time of the first moves of the opening, White, without wasting time, knew to place their pieces on best possible squares; whereas Black played more passively and was worried neither their central pawns nor White aimings. In the present position if Black especially did not hold account of White's play, the reciprocal one is also true. In other terms:

    White played best moves «strategically» and without holding account of the Black's play; and thus not: «tactically», by integrating this last.

    Let us notice that the effective position of Bishops does not spoil the «perfect» character of the position. Thus, the King 's Bishop could as well be in b5, d3 or e2 and similarly the Queen 's Bishop in f4 or g5.




    CCT VI-C - Classical
    conception of the «center»


    It is interesting to understand the evolution of ideas relative to the «center», which really were in the heart of the debate between «Ancients» and «Modernes» (that it is usual to name «Hypermoderns» or «Neo-Romantics»), by adopting the traditional point of view here. We will follow for that with profit the ideas expressed by Tarrasch (Siegbert Tarrasch, «Traité pratique du jeu d'échecs» PAYOT/ECHECS, 1992, p.315)

    1o) Take over the «center»! :

    Tarrasch express thus goals of the opening: «... while deploying chessmen, which is the essential goal of the opening, you can still associate to it the project to seize the center, to only occupy it with one or two Pawns. It is all the more important that, during the opening phase, the main combat is delivered in the center and equally, in the middle game, as soon as an attack is launched against the opponent's castling. The player who has Pawns in the center - ceteris paribus - carries off in the combat».

  • Maintain a «perfect enter»?
  • :


    Obtain a «perfect center» and maintain it is only possible if the opponent camp does not seek to intervene, at least directly. But if this last reacts immediately, as he can do it, better is worth to take note of this and act in consequence. It is well the Tarrasch's opinion and one can only follow him in this direction. Let us consider the White's point of view. If we refer to the traditional opening repertory it is usual to encounter one of the following beginnings:

  • Open games
  • :

    DIAG 5 : Open game : 1.e4 e5
    (Problematic of the move 2.d4!?)


                  Open game: 1.e4 e5
        (Problematic of the move 2.d4!?)


    Here the move 2.d4 is problematic and runs up against the possibility of the capture en passant (in passing): 2...exd4. In this case, without giving up the moving of the d-pawn, it is advisable to prepare it, which returns already within the framework of «Openings» such as they will be introduced and studied in two next headings of this lecture (CCT VII - «Open and Closed positions»; CCT XI - «Classical openings»).

  • Close games
  • :

    DIAG 6 : Close game: 1.d4 d5
    (Problematic of the move 2.e4!?)


                  Close game: 1.d4 d5
        (Problematic of the move 2.e4!?)


    Here similarly the move 2.e4 is problematic and runs up against the possibility of the capture en passant (in passing): 2...dxe4. In this case, without giving up the moving of the d-pawn it is advisable to prepare it, which returns again within the framework of «Openings».

    2o) «Central Pawn» exchange :

    Again we follow closely the Tarrasch's reasoning (Siegbert Tarrasch, «Traité pratique du jeu d'échecs» PAYOT/ECHECS, 1992, p.316).

    «But it is a fault, when you firmly control the center with a Pawn, to exchange this one without need or advantage; you thus lose all the support in the center and the adversary which succeeds in maintaining one of his Pawns there takes the advantage. You also loses space, you are tightened on three ranks whereas the adversary orders four of them.»

    «The Pawn of the center occupies a strategic position at the border of the two enemy camps, border consisted in the fourth and fifth ranks, which one must defend by a pawn if it is attacked by a Pawn, but which one should never give up without combat.»


    Tarrasch specifies, in a already combative vision: «Each opening where a player gives up the center without need gets to an advantage for the adversary; all the goal and success of opening manoeuvres consists in seizing the center. If the one which is on the defensive is constrained to fall back from the center, any kind of attacks become possible; but if he succeeds in maintaining himself there he obstructs considerably the development even the launching of the majority of attacks.»

    Tarrasch pursues: «This is why moves e5xd4 and d5xe4 (or e4xd5 and d4xe5 ) are almost always bad when they are not obligatory.»

    3o) Problematic of the «liberator move» :

    We continue this study in Tarrasch's company (Siegbert Tarrasch, «Traité pratique du jeu d'échecs» PAYOT/ECHECS, 1992, p.316).

    «The Pawn configuration e4 against d6, just as d4 against e6, is advantageous for White; balance can be restored, if there is no prevention, only if Black neutralizes the White central Pawn by d6-d5 («liberator move») possibly by f7-f5 («flank move») , or by e6-e5 («liberator move») or c7-c5 («flank move»)

  • The Center game
  • :
    The «Center Game» gives a good illustration for the problematic of the «liberator move» studied here :

    DIAG 7 : The Center Game: 1.e4 e5
    2.d4 exd4 3.Qxd4 Nc6 4.Qe3 ...


           The Center Game: 1.e4 e5
        2.d4 exd4 3.Qxd4 Nc6 4.Qe3 ...


    In this position Tarrasch judges that there is not better Black counterpart that 4...d5 In fact, this move refutes the prematurate character of 2.d4?! and allows Black quite simply to «equalize», in other words to compensate the White's advantage to play first. On the other hand 4...d6?! is «weak» verily «doubtful», because it concedes to White an actual advantage, which may prove itself to be lasting.




    CCT VI-D - For or Against Tarrasch's
    «Rectilinear Srategy»?


    It is right that we let Tarrasch conclude this heading of which he is almost entirely the author. (Siegbert Tarrasch, «Traité pratique du jeu d'échecs» PAYOT/ECHECS, 1992, p.318 à 320). Here we are, more than ever, at the heart of the debate between «Ancients» and «Moderns»! ... And the latter will have soon the floor (MCT - The Modern Chess Theory).

    1o) The «Rectilinear Strategy» :

    In addition to the principles presented before, Tarrasch defends the following ideas, on which we will return more lengthily in the continuation of our lecture.

    i) This one playing White (and this way playing first) must take the initiative.
    ii) The «initiative» must result in carrying out an offensive.
    iii) One who holds the «initiative» must in theory refuse all «gambit» (i.e. pawn sacrifice) offers to him by the other side.
    iv) On the other hand, the «player in second» (that means this one which plays Black), or more generally the player who does not have the «initiative», can very validly launch himself into a «gambit».
    v) One should not have a pawn moreover at the detriment of the position.

    2o) Schools battle with the «Rectilinear Strategy» :

  • A modest conclusion
  • (p. 318 puis 319)

    «They are primarily principles of a rectilinear strategy founded on my experience. These rules present many exceptions and they are sometimes contradictory...»

    «You will have usually weigh by "yes, but..." the advantages and disadvantages of a move and, in this evaluation, the judgment matured by experience and study will play the first role.»


    The Tarrasch's conclusion shows a great self-effacement: not only he recognizes with his theory some limits, some cases of nonapplication, but also (what is more serious from a logical point of view) certain inner contradictions which it will be necessary well to reconsider. In addition let us note, on the way, the term «judgment» promised to so brilliant future (NCT VII - Judgment and plan).

  • However, Tarrasch brilliant polemist
  • (p. 319)

    «One can also adopt a completely different strategy, one can reject all principles stated above and issue that it is the reverse which is true. One can prefer before everything material advantages while saying oneself: "I want to have a pawn moreover, I will defend myself with tenacity and skill and if I do not make a fault of tactics, I will certainly win.»

    «One can proclaim: "No Pawn in the center, because they can be attacked there and I will have to defend them. I like much more to leave them with my adversary and to attack them myself.»


    We reach the final Tarrasch's burning standpoint: how do not recognize there the passion - initially! - perhaps marked of one ounce of irritation, of anger... and of sectarianism also.

    «I hold all these attitudes for errors but - it is a quetion of constitution and character - much will refuse the rectilinear strategy for its opposite. In fact, very recently was created a school which preaches to hold in reserve the central pawns. But, and it is very significant, the strongest players such as the current world champion Alekhine, former champions Capablanca and Lasker, as well as Bogoljubow, are not members of it.»

    «It has been already more than one century that some people applied, in the" fianchetto ", this supposedly new idea, but it was quickly given up because the central Pawns of the adversary were far too impeding. And if the other player adopts to him as this petty and coward strategy and holds in reserve his own central pawns what does occur? There is no combat since the two armies do not make contact! It is what shows the terrible following game which was played in Mährisch-Ostrau, in the 1923 tournament. I will conceal by decency the names both players.»

    3o) Illustrative game: «The Terrible game» :

    It is not difficult to uncover the authors of this «chess disaster» and to reinstitute the end of the game:

    Reti, Richard - Gruenfeld, Ernst
    A38 - Mährisch-Ostrau, 1923 ½-½


    1.Nf3 Nf6
    2.c4 c5
    3.g3 g6
    4.Bg2 Bg7
    5.Nc3 Nc6
    6.d3 0-0
    7.Be3 d6
    8.Qc1 Re8
    9.h3 Bd7
    10.0-0 Rc8
    11.a3 a6
    12.Rb1 Rb8
    13.b4 cxb4
    14.axb4 b5
    15.cxb5 axb5

    DIAG 8 : Reti, Richard - Gruenfeld, Ernst
    A38 - Mährisch-Ostrau, 1923 -
    Position after: 15.cxb5 axb5


           Reti, Richard - Gruenfeld, Ernst
        A38 - Mährisch-Ostrau, 1923 - 
        Position after: 15.cxb5 axb5


    Such is the position on which Tarrasch stops to give his severe opinion on this game; this one continues as follows:

    16.Nd4 Nd5
    17.Nxc6 Nxc3
    18.Qxc3 Bxc3
    19.Nxd8 Rbxd8
    20.Rfc1 Rc8
    21.Bb7 Rb8
    22.Bg2 Rbc8
    23.Bb7 Rb8
    24.Bg2 Rbc8
    25.g4 e6
    26.Bb7 Rb8
    27.Rxc3 Rxb7
    28.Rbc1 Kf8
    29.Rc7 Reb8
    30.Ba7 Rxc7
    31.Rxc7 Rd8 ½-½

    DIAG 9 : Reti, Richard - Gruenfeld, Ernst
    A38 - Mährisch-Ostrau, 1923 -
    Final position: 31.Rxc7 Rd8 ½-½


           Reti, Richard - Gruenfeld, Ernst
        A38 - Mährisch-Ostrau, 1923 - 
        Final position: 31.Rxc7 Rd8 ½-½


  • What conclusion can we draw? ...


  • Do we have to consider that there was no combat or that two adversaries, of equal force, neutralized one another? ... It is according to!

    Oh ! Osons le dire ! ... One can even see there an enormous masquerade!... A provocation ... A great frame up «anti-Tarrasch» !

    ***

    CLASSICAL CHESS THEORY :

  • Next chapter:

  •   «CCT VII - OPEN AND CLOSED POSITIONS»


  • Back to the menu:

  • Copyright © 2007 «CHESS-THEORY»

    "Classical Chess Theory" - Free Chess Lecture -
    All material Copyright © 2007 Michel BRUNEAU
    The "Chess-Theory" Webmaster / Reims
    (Champagne), FRANCE - Artists Rights
    Society (ARS), New York / ADAGP, Paris




    ************

       «© Chess-Theory -
    Private Collection»


    ***


    FOR PLEASANT SURFING AROUND THIS SITE:

  • We suggest these best paths:

  •   «LASTEST UPDATES»
      «GENERAL SITE PLAN»
      «GENERAL SITE MENU»
      «LINK COLLECTION HOME PAGE»
      «ECO CODES BASE»
      «CHESS THEORY FORUMS»
      «SEARCH ENGINE»
      «VIRTUAL ART MUSEUM»


    ***


    FOR DISCOVERING WHO WE ARE:

  • ... and also expressing freely your opinion:

  •   «CHESS-THEORY: GUEST BOOK»
      «CHESS-THEORY: ABOUT US»    
      «CHESS-THEORY: COPYRIGHT»





               * DON'T NEGLECT TO CONTACT US HERE! *           
    This page, created by Michel Bruneau, is
    Copyright: © Michel Bruneau «Chess-Theory»
    Webmaster - All rights reserved 2004-2008


    Thank to  you  visitors  and friends!...
    Please notice  that  you  help us a  lot
    by giving your opinion and comments
    about  this  page as well as all  other
    pages that you have recently visited
    in  the   «Chess-Theory»   Website:


      Express yourself
on our Guest Book  

    My Dear  Friends!...  Without  at   least
    your  moral  support, formulated  here
    or   on  our  forums, this  site can close
    definitively without advance warning!
    ... Humour? Maybe, but it is also true
    that   a   Webmaster,  most of  the time
    alone facing his computers, experien-
    ces  sometimes,   in  his  projects  and
    realizations, discouragement and doubt
    ... HELP ME BY WRITING YOUR FEELINGS!


    The «Chess-Theory» Website receives
    more than
    90, 000 different visitors
    per month, coming  from  about
    145
    different   countries   in   the   world
    (daily statistics generated by awstats)






    * «CHESS-THEORY FOUNDATION» WEB SITES *
    The  «Chess-Theory  Foundation»,  currently
    still  unofficial,   under  the  responsibility   of
    Michel Bruneau, the «Chess-Theory»  Web-
    master,   puts   to  your  disposal  the   three
    following   complementary  Web   Addresses:


    * CHESS-THEORY.COM *

    ~ CHESS-THEORY.COM ~
    This is our main site, fully dedicated
    to Chess Theory, Chess Training, Chess
    Analysis and Chess Practice; but presenting
    also the first version of our Virtual Art
    Museum. This bilingual Site owns about 2 000
    English pages, 2 000 French pages, more than
    10 000 linked images, many hundreds of chess
    diagrams and more than 110 analyzed games
    presented with the "Chess-Theory" Viewer!...

                   ~ 'CHESS-THEORY.COM' ~
      This is our main site, fully dedicated 
      to Chess Theory, Chess Training, Chess 
      Analysis and Chess Practice; but presenting
      also the first version of our Virtual Art 
      Museum. This bilingual Site owns about 2 000 
      English pages, 2 000 French pages, more than  
      10 000 linked images, many hundreds of chess 
      diagrams and more than 110 analyzed games    
      presented with the 'Chess-Theory' Viewer!...


    * VIRTUAL-ART-MUSEUM.COM *

    ~ VIRTUAL-ART-MUSEUM.COM ~
    You will recover here, in a surprising
    new look design, all galleries and
    linked images of the "Chess-Theory"
    Virtual Art Museum ... but, rather soon,
    you will discover also many new beautiful
    galleries presenting a rich collection
    of unexpected Hight Definition Images,
    Royalty Free Photos and so more ....

             ~ 'VIRTUAL-ART-MUSEUM.COM' ~
      You will recover here, in a surprising
      new look design, all galleries and
      linked images of the 'Chess-Theory'
      Virtual Art Museum ... but, rather soon,
      you will discover also many new beautiful 
      galleries presenting a rich collection 
      of unexpected  Hight Definition Images, 
      Royalty Free Photos and so more ....


    * FROM-THE-WHOLE-WORLD.COM *

    ~ FROM-THE-WHOLE-WORLD.COM ~
    This Web Site, currently under
    construction, will deal with all
    cultural, intellectual or moral
    subject untreated by other ones

     ~ 'FROM-THE-WHOLE-WORLD.COM' ~
      This Web Site, currently under
      construction, will deal with all
      cultural, intellectual or moral
      subjects not treated by other ones




    «Michel  Bruneau  the  "Chess-Theory" Webmaster
    ...  presumably   when  he  was  a   little  younger
    and    still    full    of    Illusions   and     Dreams! »
    Photograph and Montage by Jean-Pierre Bruneau
    Copyright © 2008 Jean-Pierre Bruneau & "Chess-Theory"
    Nevertheless this image is available for Link Exchange!

         Michel Bruneau the 'Chess-Theory' Webmaster 
         ...presumably when he was a little younger   
                and still full of Illusions and Dreams!


    ******** ©-«Chess-Theory.com»-2004-2008 ********


                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    
    Listen Music Now